Despite the fact that poetry is very individual, every poet is original and does not look like another, AP Zhuravlev says: "... they all use the same sounds of the Russian language" .A.P. Zhuravlev cites an example comparing a poem by Tarkovsky's "Lilacs you, lilac ..." and Voznesensky "Lilac Moscow - Warsaw". As a result, concludes that in both poems is dominated by purple "U" and the dark blue "Y" in equal proportions. "So zvukotsvetovye compliance in the subconscious of various poets similar. How could it be otherwise? Is it possible to imagine that the vast majority of carriers of one language sounds painted one way and for any so they have other colors? Indeed, in this case zvukotsvetovoy effect created in the verses of the poet, will not be accepted by the subconscious mind of most readers'
However, the Russian poet Andrei Bely and writer Vladimir Nabokov attributed to their vowel color. Consequently, following the logic of AP Zhuravlev, their works are "not perceived subconscious of most people."
Thus, the theory of color symbolism sound can not explain the popularity and the emotional impact of the works of poets and writers, zvukotsvetovye associations are far from the "collective wisdom" of the respondents
by AP Zhuravlev
for A. White
White; "White flying open"
Black; "Black and brown group: thick, without Gallic gloss"
Yellow-green; "Yellow green"
Yellow-red; "yellow group: orangish"
Blue; "Blue, height, sharpness, enthusiasm"
White and yellow; "Light-yellow"
Light yellow or white
Red-yellow; "Krasnooranzhevy About - body cavity and mouth"
Brown and white; "Almond milk"
Dark blue, blue-green or purple
Red and blue; "At the sound connected with purple blue"